Place of Birth: New York City
Interests: Music, martial arts, expansion
Favorite Artist: Leonardo da Vinci (Classical), Frank Frazetta (Modern)
Favorite Composer: Wolfgang Amadeus Mozart (Classical), Frank Zappa (Modern)

Eru creates original designs using a modified version of an ancient Japanese technique called Suminagashi. A lifetime in the arts
(graphic arts and music, to name just a couple), led to his refining a variation of this technique to produce decorative panels
which captivate and spur the viewer’s imagination. Eru’s studio and base of operations are located in the foothills of
northern Colorado in the southwestern United States. Each of Eru’s designs is original (not printed), and each is created on wood panels or canvas.
Each panel is fitted a custom frame, specifically tailored to that panel. Many of the pieces have a theme; others are left to the viewer’s imagination…

Quote: “I think that a lot of what makes a piece attractive happens on an energetic level, on the level of energy, rather than just visual aesthetics.
It’s kind of mystical, really. I think that’s why some pieces – even by the old masters – are so popular, while others by the same
artist aren’t received as well, and why people are willing to travel thousands of miles to look at a particular piece, but wouldn’t care to have
a reproduction of the same piece. I think it’s also why collectors will pay so much for a masterpiece…
it’s almost like they’re compelled to possess it, and believe it will bring them good fortune.
In creating with Suminagashi, the process is very unique, of course. Unlike doing a
portrait, a landscape or a sculpture, it’s almost like you’re co-creating with the Universe.”

About Suminagashi

Suminagashi (墨 流 し), which translates to “floating ink” in Japanese, is a traditional Japanese marbling technique that produces unique and mesmerizing patterns on paper.
With origins dating back to the 12th century, Suminagashi has evolved into a delicate and meditative art form. The practice involves floating ink on the surface of water
and then carefully transferring the delicate patterns onto paper or fabric.

The process of Suminagashi begins with a shallow tray filled with clear water. The water must be still, allowing for the ink to float freely without disruption.
Various types of inks or sumi ink, traditionally used in Japanese calligraphy, are dropped onto the water’s surface in concentric circles or other desired patterns.
The ink should be highly diluted to ensure it remains buoyant.

Once the ink is on the water, it begins to spread, creating intricate and unpredictable designs. The artist may choose to manipulate the ink further
using tools such as brushes, combs, or even their breath. The patterns emerge through the interaction of the ink’s pigments with the water’s surface tension.

Suminagashi relies on the principle of hydrophobic and hydrophilic interactions. The ink, being less dense than water, stays on the surface.
The water’s tension prevents the ink from spreading too rapidly, allowing the artist to control the patterns to some extent.
The floating ink can be mesmerizing to watch as it dances and swirls, creating unique designs that are impossible to replicate precisely.

Once the desired pattern has formed, a sheet of absorbent paper, fabric, or other material is carefully placed on the water’s surface.
The paper absorbs the ink, capturing the intricate design. The transfer must be done with precision to maintain the integrity of the pattern.
The resulting print is a harmonious blend of chance and intention, a testament to the artist’s skill and the unpredictable nature of the medium.

Suminagashi embodies the Japanese aesthetic of wabi-sabi, appreciating the beauty in imperfection and transience. Each print is a moment frozen in time,
capturing the ephemeral nature of the floating ink. The process often yields subtle and organic designs,
with soft gradients and flowing lines that evoke a sense of calm and tranquility.

In contemporary settings, Suminagashi has found its place in various art forms, including bookbinding, illustration, and fine arts.
Artists may experiment with different color combinations, techniques, and surfaces to create diverse effects. The traditional practice of
Suminagashi has also inspired modern variations and adaptations, showcasing the enduring appeal of this ancient art form.

Suminagashi’s simplicity and elegance make it accessible to artists of all levels. It not only serves as a creative outlet but also offers
a mindful and contemplative experience. As artists engage with the unpredictable nature of the floating ink,
they embrace the beauty of impermanence and the serendipity inherent in the artistic process.
Suminagashi stands as a testament to the rich cultural heritage of Japan and continues to captivate and inspire artists worldwide.